Tuesday, 24 June 2008
Scream Silence
Artist: Scream Silence
Genre(s):
Rock: Gothic
Pop
Metal: Doom
Discography:
... Saviourine
Year: 2006
Tracks: 11
Elegy
Year: 2004
Tracks: 11
Seven Tears
Year: 2003
Tracks: 10
The 2Nd
Year: 2001
Tracks: 10
The Sparrows and The Nightingales
Year: 2000
Tracks: 3
To Die For
Year: 1999
Tracks: 11
 
Thursday, 12 June 2008
I'm not getting married, says Johansson
A New York newspaper and websites had reported the 23-year-old was seen shopping for wedding dresses with her mother and sister in Los Angeles.
But Johansson's spokesperson told Usmagazine.com: "A family member is getting married, not her. She is not engaged."
Friday, 6 June 2008
Thursday, 5 June 2008
Live: Sophie Ellis Bextor
building in West London last night.
The sexy songstress ran through a short eight-song set in front of an invited
audience at Kensington Roof Gardens - a plush venue above an office block.
The cocktail-loving posh girl bigged up sponsors Martini, and other stars at
the event included LILY COLE, NICK MORAN, and The Kills' ALISON
MOSSHART - minus her boyfriend NOEL FIELDING.
JAY KAY, Page 3 girl KEELEY HAZEL and NATALIE IMBRUGLIA stood
at the frontsinging along like real fans.
Sophie sang several songs from her forthcoming fourth album due out later this
summer - plunging straight into new track If I Can't Dance, a revved-up
electro-pop offering that could well become a chart-botherer.
Ellis Bextor has roped in CALVIN HARRIS, RICHARD X and GROOVE
ARMADA to help her write songs.
But the biggest cheers of the evening were reserved for the SEB hits
collection. Take Me Home, Yes Sir I Can Boogie, Groovejet (If This Ain't
Love) and Murder On The Dancefloor were all well received by the small
audience.
Sophie looked anything but mumsy wearing an almostly indecently see-through
dress and precipitous heels which required her husband - The Feeling's RICHARD
JONES - to stand on a step when the couple posed for pics after the gig.
Bee Movie - 6/3/2008
The majority of Dreamworks' animated films are second rate to those of Pixar. For every Antz, there's a much better A Bug's Life. In a year dominated by the brilliance of Pixar's Ratatouille, Dreamworks' Bee Movie plays out more like a B-movie (pun intended) than an A-list competitor.
Bee Movie is the brainchild of comedian Jerry Seinfeld. With Seinfeld, Dreamworks had the perfect opportunity to produce an animated feature about insects that could swim in the same genome pool as the bugs of Life. Instead, there's very little sting to this movie, and aside from a few select moments of brilliance, Seinfeld's film about the lives of bees is largely inconsistent, unfunny, and visually uninspiring.
In the film, Barry Benson (Seinfeld) and his buddy Adam (Matthew Broderick) have just finished their schooling and are ready to enter the adult bee working world. In their hive, there's only one place to work, Honex. There, Barry and Adam will perform the same mundane job of making honey everyday for the rest of their lives. Of all the different types of jobs at Honex, Barry aspires to be a pollen jock. The most glamorous and least routine job, pollen jocks work outside the hive, pollinating flowers and gather nectar.
As part of a trial run, Barry is allowed to fly with the pollen jocks as long as he does not talk to humans and retreats to the hive when it rains. Barry does neither. He gets caught up in a rain storm and is rescued by a bee friendly florist named Vanessa Bloome (Ren�e Zellweger). Vanessa harbors him safely inside her apartment, and the two talk for hours sharing coffee and crumb cake. They find that their lives are very similar despite their physical differences. Barry instantly falls in love.
But Bee Movie is not a love story, though the concept might make the film more appealing. Instead, Movie is a commentary on the importance bees play in our ecosystem. When Barry finds that humans are perpetrating a major injustice on his fellow bees, he enlists Vanessa's help to make things right.
The final third of Movie deals with Barry's attempt at correcting the ills he perceives and the resulting consequences of his actions. Movie is successful at making its point about bees and our ecosystem, but it achieves it so hastily in a final act that it is completely muddled and nonsensical. The message also begs the question: Will small children even care about what bees do? All they care about is not getting stung. Now that they know more about bees, will they really want to get closer to them? I find that hard to believe.
The DVD includes deleted scenes and six(!) alternate endings, commentary from Seinfeld, and making-of featurettes. A second DVD offers more extras, including a music video, more making-of footage, and a video game for the kids.
Go ahead, he won't bite.
See Also
Sugarland adds summer dates ahead of 'Love'
Giya Kancheli (Tbilisi Symphony Orchestra, Jansug
Artist: Giya Kancheli (Tbilisi Symphony Orchestra, Jansug
Genre(s):
Other
Discography:
Giya Kancheli (Tbilisi Symphony Orchestra, Jansug Kakhidze)
Year:
Tracks: 2
K.Jarrett and Ch.Haden P.Mautian
Katie Couric - Did Anchors Mislead Public On Iraq
Appearing for the first time together on each of the major networks' morning programs
to promote a Stand Up to Cancer telethon in September, Katie Couric, Charles Gibson,
and Brian Williams defended themselves against claims in a new book by former White Ho
use spokesman Scott McClellan that they fell for administration propaganda in the
lead-up to the invasion of Iraq. Although none of the three was anchoring a network
newscast at the time, each acknowledged that they felt pressure from the White House
to present the administration's policy on Iraq in a favorable way. CBS's Couric appeared
to echo previous statements by her predecessor Dan Rather that newsmen did not put
hard questions to administration policy makers, a point McClellan also makes in his
upcoming book, What Happened? Appearing at her old stomping grounds on the
Today show, Couric said, "I know when we were covering it -- and granted the
spirit of 9/11 people were unified and upset and angry and frustrated -- I do think
we were remiss in not asking some of the right questions." Gibson said that he disagreed.
"I think the questions were asked," he said, but the response was "just a drumbeat
of support from the administration. It is not our job to debate them." Williams said
that he was in Kuwait at the time and that he received calls on his cell phone from
the the Pentagon "the minute they heard us report something that they didn't like.
The tone of that time was quite extraordinary." He did not identify the Pentagon
personnel who contacted him. Couric said that one unidentified press secretary called
the executive producer of the Today show after an interview she conducted,
"and they said, if you keep it up, we're gonna block access to you during the war."
She added that anyone who questioned the administration's policies was "considered unpatriotic"
and that public opinion affected "the level of aggressiveness that was exercised
by the media."
29/05/2008
See Also
Sarah Jessica Parker's Legs, Adam Sandler's Musical Number Are The Hot Topics At MTV Movie Awards Afterparty
UNIVERSAL CITY, California -- You saw the big stars, enjoyed the musical performances and were reminded once again that the MTV Movie Awards are a whole different kind of party. But once the show ended, and the sun went down, Hollywood's biggest names made sure the evening was just getting started.
"I'm really a man of the people," grinned "Office" star Rainn Wilson, surveying the scene. "I'll meet the fans, have a hamburger. Then I'll shoot heroin into my eye and pass-out in my own vomit. Let's get this party started!"
(Check out what went down backstage and what you didn't see on the gold carpet!)
This year's MTV afterparty was held in front of the Gibson Amphitheatre, under the stars. As a JumboTron-size screen replayed the show, the latest hits pumped over the loudspeakers, and everything from sushi to hamburger sliders were served. Behind a velvet rope, Paris Hilton and Tila Tequila kept the party going strong.
"I'm taking it in stride," "Twilight" star Robert Pattinson said, somewhat amazed that his still-seven-months-away movie unveiled an action clip that overshadowed many of the evening's biggest stars. "[The scene] was a pretty intense moment. Cam [Gigandet] won Best Fight, and I in reality don't have a single muscle in my entire body ... but I won [in the clip], and that's the great thing about being the lead."
"There were a lot of successes," "Project Runway" winner Christian Siriano dished between drinks, discussing the best and worst fashion he had seen throughout the day. "Paris looked flawless. Sarah Jessica Parker: flawless. Anne Hathaway was a little bondage for me -- very leather, dominatrix. I was surprised that the guys didn't really go there for me. They were kind of boring. I was like, 'T-shirt and jeans on everyone?' "
Host Mike Myers, Brody Jenner, Anna Faris, and Heidi Montag and Spencer Pratt from "The Hills" were just a few of the stars who roamed the grounds, capping off a massive evening with an equally big nightcap.
"Sarah Jessica Parker -- did you see her legs?" Fonzworth Bentley marveled after the show. "Her legs looked better than Christmas!"
Seth Rogen and Jonah Hill shared some laughs as they mingled with the assembled guests, while Verne "Mini-Me" Troyer proved a big hit with the crowd. "Hairspray" star Nikki Blonsky and "Speed Racer" actor Emile Hirsch partied in various corners, and the talk of the evening was the "OMG!" moments everyone had just witnessed onstage.
"I thought the Jabbawockeez crushed it," JC Chasez said of "America's Best Dance Crew." "That was amazing dude, the way they came out of the ceiling. That, I thought, was great. So were the Pussycat Dolls, they were amazing. [Coldplay] did a phenomenal job, but they're pros. This is, like, their third or fourth record, and they've got it down to a science.
"I also loved seeing 'Wayne's World' again," he added. "That was a very nostalgic moment."
"Adam Sandler's song," Pattinson countered as his favorite moment, citing a mix of comedy and music. "He was amazing. He's an amazing singer."
It's a wrap! Now that you've watched the MTV Movie Awards, find winners, red-carpet photos, videos, movie exclusives and much more at MovieAwards.MTV.com. And check out Movies.MTV.com for the latest movie news, trailers, photos and more!
See Also
Bryce Dallas Howard eyes 'Terminator'
To replace Charlotte Gainsbourg in the sequel by McG
Gainsbourg was originally set to play Kate Connor, the wife of human resistance hero John Connor, played by Christian Bale. The actress had to bow out because of scheduling conflicts with another film, a French comedy. Production on "Terminator," directed by McG, is already underway in New Mexico. If an actors strike were to happen, shooting would stop and then restart at a later date, potentially butting heads with the French film.
Gainsbourg, last seen in Todd Haynes' "I'm Not There," is repped by UTA and One Entertainment.
Howard last starred as Gwen Stacy in "Spider-Man 3" and next stars in the "The Loss of a Teardrop Diamond," based on a long-forgotten screenplay by Tennessee Williams. She is repped by ICM and Management 360.
Gregg Goldstein reported from Paris; Borys Kit reported from Los Angeles.
See Also
Babyface
Artist: Babyface
Genre(s):
R&B: Soul
Other
Christmas
Discography:
Grown and Sexy
Year: 2005
Tracks: 13
Love Story
Year: 2004
Tracks: 10
Face 2 Face
Year: 2002
Tracks: 14
The Day
Year: 2001
Tracks: 10
Love Songs
Year: 2001
Tracks: 16
Christmas with Babyface
Year: 1998
Tracks: 10
As a vocalist, producer, and ballad maker, Babyface was an unavoidable presence in virtually every major facet of toss off music during the '90s. His possess recordings helped rejuvenate the R&B tradition of the smooth, sensitive, urban balladeer and made him a staple of urban contemporary radio. Yet their considerable success was eclipsed by his songwriting and production ferment for other artists, which joined him with some of the biggest stars and strike singles of the decade (and non just in the region of R&B). You'd be strong pressed to name a '90s hitmaker with a track record more systematically successful and versatile than Kenny "Babyface" Edmonds.
Kenneth Edmonds was innate April 10, 1959, in Indianapolis and began playing in local R&B bands as a stripling. He served a stint in Bootsy Collins' backup unit (where he earned his cognomen) and later on joined the funk outfit Manchild, which sign a record address in 1977 and released iII albums. After their detachment, Babyface and married person Antonio "L.A." Reid formed an urban casimir Funk chemical group called the Deele in the early '80s, which scored a few sizeable hits on the R&B charts. Babyface and Reid began producing and writing for other artists on the side, landing hits in Pebbles' "Girlfriend" and the Whispers' "Rock Steady"; following the Deele's third gear album in 1988, the duette left wing to continue their away activities full-time, co-founding the LaFace label in 1989. Further hits followed in Bobby Brown's "Every Little Step," Sheena Easton's "The Lover in Me," and Karyn White's "The Way You Love Me" and "Superwoman," all of which performed well on both the pop and R&B charts.
Babyface had actually recorded a little-noticed solo record album in 1986, titled Lovers, just with his newfound success having marked him as one to check, his solo life history now began in sincere. Released in 1989, Tender Lover caught fire, spinning off quadruplet singles all over the following year, including the R&B chart smashes "It's No Crime" (issue nonpareil) and "Rack up Appeal" (issue deuce; both also reached the pop Top Ten); the album as well went twofold platinum. Now securely conventional as a powerhouse, Babyface went on to co-write hits for Johnny Gill ("My, My, My," nominated for the Best R&B Song Grammy), Whitney Houston ("I'm Your Baby Tonight"), and Madonna ("Take a Bow"); his biggest success, however, came with Boyz II Men, whose recording of "End of the Road" became i of the longest-running number ones in pop account (the Babyface-penned follow-up "I'll Make Love to You" was too pretty successful in its own correct). He was co-nominated for an Album of the Year Grammy for his output on The Bodyguard soundtrack and went on to work with artists like Celine Dion, Mariah Carey, Gladys Knight, Aretha Franklin, En Vogue, and Mary J. Blige. As if that weren't enough, LaFace had become a highly successful and lucrative imprint, breakage artists like Toni Braxton, TLC, OutKast, and Usher (much with input from Reid and Babyface).
It's no wonder Babyface wound up pickings a come apart from his own vocation as a singer during the early '90s, releasing only a remix album, A Closer Look, in 1991. The proper follow-up to Tender Lover didn't look until 1993; even so, For the Cool in You was an even bigger hit than its predecessor, going triple pt and producing Babyface's first Top Five pop strike, the off-speed pitch acoustic guitar ballad "When Can I See You Again" (which south Korean won him his first base Grammy as a performer for Best Male R&B Vocal). In 1995, he scored another major success with the Waiting to Exhale soundtrack, not but producing it just scoring the film itself and writing well-nigh all of its songs, including the Whitney Houston crush "Give forth (Shoop, Shoop)." The same class, he won the first-class honours degree of deuce-ace straight Grammys as Producer of the Year. Successes hardly unbroken coming in 1996; the guest-laden record album The Day spawned another Top Ten pop/R&B shoot in "Every Time I Close My Eyes," and he coagulated his crosswalk credentials once and for all by fetching a Grammy for Record of the Year as producer of Eric Clapton's "Change the World."
Bucked up by the success of Waiting to Exhale, Babyface and his wife, Tracey Edmonds, formed their have plastic film production company, which debuted in 1997 with the acclaimed urban mob comedy/drama Soul Food (Babyface, naturally, masterminded the soundtrack). The adjacent class, he contributed lyrics to the animated musical The Prince of Egypt, which went uncredited on the soundtrack album. With the movies pickings up more of his sentence, his adjacent musical releases were quick one-offs: an MTV Unplugged album in 1997 and the seasonal worker Dec 25 with Babyface the adjacent class. His production and songwriting activities continued, though he remained silent as a performing artist for a few days. In 2000, Epic released the best-of compiling A Collection of His Greatest Hits, marking the end of his incumbency with the label; he had elected to move to Arista, where L.A. Reid had been a high-ranking administrator. In 2001, Babyface released a new album, Face2Face, and as well produced the punk-pop soundtrack for the film Josie & the Pussycats. The back-to-basics Big & Sexy came in July 2005, followed by 2007's covers-based Play list for Mercury.